FROM THE GLAMOROUS LIFE TO ICON - SJF s SHEILA E INTERVIEW PART 2

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1 "My life is percussion," confesses SHEILA E to SJF's Charles Waring in a transatlantic phone interview to promote 'Icon,' her first solo album in over a decade. A stylistic departure from the smooth jazz-oriented sound of her previous couple of long players, ' Icon ' proves to be a heady, percussion-led brew that seamlessly blends soul, pop, jazz, rock and funk flavours with Ms. Escovedo's signature Latin tropes. In this, the second part of an in-depth interview with SHEILA E - ahead of the release of 'Icon' and her keenly-anticipated one-off show in London on November 23rd at Under The Bridge - the singer/songwriter/drummer reflects on her past and talks about her formative years, working with Prince and Ringo Starr as well as participating in a US TV reality show called Gone Country... 1 / 6

2 Going right back to the beginning, when did you first show an interest in music? I used to listen to my dad (percussion legend) Pete Escovedo (pictured left with Sheila) practice in the house everyday. He would rehearse and practice to vinyl LPs and would have jam sessions on the weekend. Sometimes his band would rehearse in the living room, so there was music in the house almost all of the time. I loved music growing up. When I watched my dad play I would play his congas or timbales for a minute and then go back outside and play but once he saw that I was a little bit interested in playing he asked me to play violin. I took violin for 5 years from the third grade to the eighth grade and got scholarships to play but I ended up not playing because I had been jamming with a couple of local bands when I was 14. Then I started playing drums in a band for a couple of months and then switched over to percussion. Then at 15 years old I became a percussion player in my dad's band. They were called AZTECA and were signed to CBS and had been playing with the Temptations, Stevie Wonder and Earth, Wind & Fire. They had been out on these major tours and my dad's percussion player, Victor Pantoja, was not available to play because he had got sick. So I pleaded with my dad: "please Pops, let me play in the show." He said: "you're 15, you're too young and you don't know anything." I said: "but I do, I know the music." What made him change his mind? 2 / 6

3 My mum talked him into it so eventually he let me play. It was a fantastic time for me because that was the one day that I knew that this was what I was supposed to do; to play music. That one performance of playing with him was almost like an out-of-body experience; the level of musicianship that I had to achieve to even be in that band - a 16/18 piece band - and be a part of that, was so powerful. Then at the time Pops asked me to take a solo and I just went to a place that I had never gone before. I always give 150% but it was more spiritual than anything and I'd never felt that before. Prior to that, I was an athlete. I was a sprint runner and training to be in the Olympics. That's what I wanted to do so at that time. I was running track and breaking records in schools and competitions all over the United States where we were competing. So up until that point I had no idea I'd be a musician. But then you had this vision, almost, when you played on stage with your Dad? Absolutely! Yeah, it was something that I'd never experienced before and when we were done playing, my dad grabbed me, we hugged each other and we cried because he just had no idea. He said: "I did not know that you knew that much." I said: "Pops, I didn't know either." I had no idea. I don't even know where I learned all that. I played things that I'd never played before. It took me to a spiritual place. That night after that performance, I told Pops: "I've got to go out on tour with you. This is what I'm supposed to do." He just looked at me like: "Oh God! I guess this is the moment that I didn't want to see but this is what it is." Two weeks later he took me out on tour and we went to Bogota, Colombia, in South America and I haven't looked back since. Was your first studio session 'Yesterday's Dreams' by fusion bassist Alphonso Johnson in '76? 3 / 6

4 Pretty close to it. I think it was if not there was another session I did with an artist he was on Fantasy Records at the time; his name was John Handy. I'm not sure if that one was the first one or Alphonso Johnson, but they were pretty close together. So how did you get into the session scene on the West Coast? The Bay Area music scene is huge. You've got so many great artists and bands that come from the Bay Area, like Santana, my dad's band Azteca, Graham Central Station, Sly and The Family Stone, Tower Of Power, the Grateful Dead, and Jefferson Airplane. I mean the list goes on and on. So there were a lot of artists. There was a local record company called Fantasy Records. We had a lot of artists coming in to do records at Fantasy. But it started with not only that but also playing with my dad and meeting everyone and playing with a lot of artists. Once we met Billy Cobham. He came into town and then saw my dad and me play and wanted to produce a record on us. He did and that's when I met Alphonso (Johnson): they were all playing together and that led to other opportunities and then playing with George Duke, we were out touring. I toured a lot with him, in Europe and the States. With George Duke I played with other artists' shows that were called Cool Jazz festivals and that's how I met a lot of people in the '70s like Ashford and Simpson, George Benson, LTD with Jeffrey Osborne, all of those bands, all of those types of artists. We were playing on the same bill and it was great because it was not only R&B and Motown and music like that but you had people like George Duke and George Benson playing jazz and fusion and a little bit of Brazilian. It was all a mixture of music, which was great, and at that time in the '70s, Bill Graham (a San Francisco concert promoter) did Bill Graham Presents... in the Bay Area. It was all these different bands together: it wasn't just pop music or R&B or rock 'n' roll, it was all different types of bands together and you would go there and it would just be a day of music. Can you remember what sort of musicians influenced tune inspired you when you were growing up? Well, the music that my dad had in the house, definitely, which was Tito Puente, who became my godfather. He and my dad were friends at fifteen, so Tito Puente was an influence and so was Pedro Rodriguez and Mongo Santamaria. And my dad had Miles Davis records and was playing Frank Sinatra and Sammy Davis Jr from the Rat Pack. I was amazed by Sammy Davis Jr as an artist. I think I was nine and I learned an entire record of his. 4 / 6

5 It interacted was In other think and amazing incredible, Yes Yeah, What love had terms percussion, odd not amazing. and a him was drummers after for lot black that time for you three - of with not that but Billy, drummers, us, I my signatures got album was only them. and it tours, experience so hi-hat I was that did necessarily Ringo Tito play cover I also yes. some a influenced patterns felt Puente. drummer, you I (Starr) with use like the and shows like? mentioned come whole I listening him Buddy When was you but and a there from idea definitely few also Rich and to played Buddy Billy. of years just Beatles Harvey was had the the a an in And songwriter horn show. ago, Rich a inspiration drums, big came band the of section didn't course and effect I lot drums. learned with into 'cos of Billy as the you? and on town Harvey my it well. I me was learned rolls that Cobham. your dad the it as was Buddy entire and Mason, their own well. all just double a lines Were the record music-making? He Rich big which something horn was and influence on there kick just was lines how pedals any drums week. great. he too. as far It- It It band going interesting. pretty anything but minute played Beatles'. sense; something was tom the when and to fill challenging same pretty to his play was that Listening you his literally didn't drum with They time incredible music...and if I'd go I'm the think weird ever fill to sent a break principally playing to lot would timbales, the that heard places. me of to it something the music, if down. I be at the be I and least didn't songs asked something because It playing drums?" didn't it I noticed would 26 I to like had songs feel play drums. of like They realise someone that be the to and right with that, break more and was way said I realised he asked it. for him. since it was right that You like else down you'll didn't me I a the thought actually know I to after would, that conversation. knew both how sound play swung. management the a all to play vocal I it I'd one had way of like play but was It be the together. was of Ringo's it line like playing challenging. sounded the songs I leads thought company: and him, other different with It music percussion and then off which was right singers it Ringo his the was It pretty or "what took from when made snare melodies would the brilliant. and in with is ai to play he 'say' ahis do How In because had said: the let Bros. Had Yeah, What introduction Uh-huh. so me. studio time excited company: percussion what instruments who talking playing percussive '83 much live A first does you that but did "I I was lot there before," know." looked about?" did know, shows and met It playing I your been of time. she "hey, was did two it and instrument" people doing were to maybe it. I 'The like, look Latin I'm first basically singing but tours a said: offered '78 There tell we're you, that lot recording deals this featured. I'd - though Glamorous a like? you solo music. said "oh, with cool story I - been were going record, fun wasn't but and - hear that signed Or because it's Lionel thing recording I Latin and playing doing no what like It's to I 'The that about, it? was nervous playing other have Life' really deals to Richie point people easy?" other that Glamorous Prince's a offered glamorous. and so they lot this that artists cool during before since being I company and was doing knew with the young He say song people but to production Warner like Prince I said: studio, other is do "oh was that? what a I Life' veteran and like decided girl little had I've did tour: "Yeah." this fifteen artists; was would studio that who's it I because Bros so bit not was; knew done way." company, "Don't by we not so of record. one know and come going - I then. So everything it knew we my for like don't it to was He 1984 to you through I that can take sure first what was we Again, out It really said; to that have which seen want something was come play kind totally record; them. it that we was with "if look him my see a timbales was of many you lot had instrument be about? that presented They do mid-twenties look going Lionel, I the I've of signed want your that something. to time, fun of people's show the never weren't say to and the was what Prince to own front be I "hey, was to and do main it's been very Warner not I the record?" you're by right and was a- So, doing record, well new who the even very for ato I I 5 / 6

6 'The people Yes, European music or two whatever done Because interesting company when that touring came What Oh, successful last three time. Later 'Lovesexy' Well, Rock day. play. playing because "I drop I go LaBelle might was just that short the on a it as just So your Belle I when Concert dates playing talking we was year. way on, want inside did. if played whatever records Lionel time, with first (in my and they hair so I starting were I pushed you career." fans crossed a I did before 1985) could and because it single of States saw life. They hectic I went it tours. I'm George the lot all his first was just like Ritchie less became drums go And so promote played experience but doing what and we the of Prince singing Even I management head. - Mark' met said back just much did to gonna fun. and even for I then How Midnight worked over new other market, play Europe said: promote I Duke colour and just tour, it kept know Prince almost 'Purple my acquainted "I did a It about magazines "Well, I it's there, more my though band," was think week, did be; drums European people. playing now at record "well, every which adding a not our saw you of the prior tell Special a pop pretty to it just you Rain' and that it (she company Top for opening based butts so Billy '78 and I this you there time created are: just single don't was record artist to and I come like people can I Prince dates we something because with 20 tour. exhausted. feel was market. play doing I day 'Belle Cobham what wanted it's off. then said time being on great and just still I'm come had feel hit from I television my a you basically about? for there to were just such every I'm whether that loved gonna they little playing for stayed "okay." was of then seen right. third because Prince this with So I an not to St there. love and well was you a got saying: 'Purple hang first empty, UK like time very, I R&B 'The during Mark' buzz missing kidding one record go had It late a for show out just but together you my and Europe last kind doesn't lot Glamorous on play Did we out there. Belle very me," artist show it been '80s for were it dad. of Rain' about "you've like have times week so play stayed of what went wasn't that I again you, family from long for the and UK challenging like I'm of because feel a I with He'd out two 'Purple tour and a played other I music, hit States prior of they ever said. could as do pretty whole my had hit not our with got there fulfilling I was right and different Life' another George Mark' 1985 love had seen (with we song life; playing "mmm" don't to artists Dick 'Sign been go being I everybody." any do. friends. Rain' there when said tired could. new for this tour how time I've and Prince). over so UK or me, be I musically Clark I like. hardest kidding; a place called idea following city went Of singles. do did friends again." interview). "I that of market for was long moved tour and the you opening We want TV I what being - They just Prince was much." that television show we if got there first guys, I more Don time like? had print He think saw didn't thing Times' we'd you to And, want Then for kind away back. it my how to support a single. anyone with play said: was Kershner's purposely - I solo my singing. promote ads can't did. the a That went career fantastic jam I of know to light two I all many had month from long It's my band started going for so course, pushed "well, artist. record But of just your went was asked to the bulb Patti I ever band heard how play." this hair said I but felt it? IIto But For walk was different started jazz In (Laughs). whoever opportunity. Nashville/country did could time following songs get experience comes And No, record. Beat From. It otherwise? There thing foster put actually about able schools want perform because expected. add What's Well, played ) my really you SHEILA CATCH NOVEMBER year is. will 2009 dad. music case one soon? and should some twisting fusion It's my doing I you Of to highlight. we're life I The appreciate put am. was care that. from always off. out a help touring It been finished. started have you My with. thing SHEILA it's Every people. singer E'S won gig we I'm for year was said timbales they Well, back Beat It's more. Then so 1990s, that. next a but was We're fascinating doing of interesting Drum called lot the I me, know able my with starred movie NEW song 11TH. 23RD I told amazed music the went got going telling say and that have reason time We had of Of into great I a from year. schools experience for body I especially I'm Then love everything I E is program a just offering songwriter little things. highlight myself: stories get wherever we what My wrote States ALBUM based you played 'Icon' out & and chance since that while... I schools. check again. a playing do dad, collapsed blessing HER many kind didn't home Drum bucket by bit that I because country take a decided read music things we're story something, and with I appreciative of US "I've more was called well. have Pete of them I All BAND when 'ICON' different funk of did and things I on that mentor well? drums So hear what a revamped writers I'm TV several incredible list, putting of Europe. for has got like your inspired public I song lung Escovedo, classes Monday my I is we're are off. them. From every and reality was sure. thought I from LIVE being was done really go for IS with foundation, show that whether They're career these and other types win partially pop. so school; music was RELEASED wrote back and high granted. focusing Pain opportunity We Do young this so two by and specific for I'll big taken this their do, also make was that of ambitions It grateful kids. had LONDON'S we're heels. always writers record there and your To us. to about back happening Nashville started was much. of what's I show" Rehobeth they music; paralysed had actually reason - because It date? called Purpose things a right Our Elevate you're have should You We play was time always autobiography. work? great are big I started but ('Icon') of and for mixture VIA had I goal because want What now don't a I take and took writing other any for Gone able have that what songwriters playing shoot lot this time. once MOOSICUS I UNDER and been schools. It but small, Hope was asking love form highlight that was because just off unfulfilled really Wisconsin were I gift artists record about I are want with now coming help genres Country and It the been I have. doing almost a I've playing desire continue everything country went I'll this and Foundation, a pretty was it's that year kind for you appreciate THE band my cover it's never We I them to always period, I a actually Is as semester, (laughs)...once you help it. interesting probably I a back week do highlight to going dad really and of have. Bay RECORDS talked up it now awesome. started five well; BRIDGE I ambitions music called year fruition and to ended finished? I superficial because don't gigantic forget thought to? had and wanted there Area. we're check piece - Tuesday. is morphed went That last give about everything where and came two. donations realise to E have started a for with faster because are Train. great ON see In night band drum was them But called back we're it's me what ON had to winning musical I just Is Oakland but to I my couldn't made from actually SATURDAY did write been how And because mission than prize not time into (when playing life. Then set helping off you a band excited coming the By until biggest chance how that always grateful and me with great They I ataking know was or same we've really two later and she you with toi a I 6 / 6

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