THE ART OF DIGITAL DENTAL PHOTOGRAPHY
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1 THE ART OF DIGITAL DENTAL PHOTOGRAPHY
2 Ian Cline Founder of photographyfordentists Course Director, DENTER He is a regular on the dental lecture circuit, speaking to numerous VT, Section 63 and private study clubs, on the subjects of photography, minimal aesthetic and adhesive dentistry. He is an opinion leader and advisor to a number of dental companies and is the author of the Dentsply how to guide on simplifying posterior composite restorations. Ian has provided teaching and hands-on courses to dentists and their teams at numerous meetings for the past several years. He has taught groups ranging from small hands-on sessions to addressing audiences of over 500. Ian can speak to dental study groups and dental conferences on numerous topics including, but not limited to: Digital Dental Photography Minimally Invasive Aesthetic Dentistry Smile design principles Tooth whitening techniques Posterior Composite, including modern concepts in matrix systems and rubber dam technique Anterior Composites including the Dahl Technique Ceramic veneers iancline@mac.com
3 DENTER Ian is also Course Director of DENTER, which runs the 10 day course in Aesthetic Restorative Dentistry in Central London. The course runs from April to December,
4 CONTACT INFORMATION
5 AIM USES KIT THEORY VIEWS FAULTS INFO
6 AIM
7 FOCUS EXPOSURE FRAMING 2018
8
9
10 2018
11
12
13 2018
14 USES
15 1 MEDICOLEGAL DOCUMENTATION 11 PROFESSIONAL PORTFOLIO 2 MONITORING OF CONDITIONS 12 MARKETING IMAGES 3 LAB. COMMUNICATION 13 SELF IMPROVEMENT 4 PROFESSIONAL EDUCATION 14 SPECIALIST REFERRALS 5 TREATMENT PLANNING 15 CLEARSTEP/INVISALIGN CONSULTS 6 PATIENT COMMUNICATION 16 PATIENT RECOGNITION 7 PATIENT EDUCATION 17 STAFF TRAINING 8 CO-DIAGNOSIS 18 COPYING RADIOGRAPHS 9 DIGITAL CASE PRESENTATION 19 PROFESSIONAL EXAMINATIONS 10 PRACTICE PORTFOLIO 20 COSMETIC IMAGING
16 wax up before/after resin mockup IMAGING
17 KIT
18 FOCAL LENGTH OF THE LENS 14mm 35mm 100mm 200mm 400mm definition: distance from the optical centre of the lens to the film plane when focused at infinity focal length of a lens and it s corresponding angle of view are two of the most important factors in determining how the subject will be depicted in a photograph. 2018
19 ANGLE OF VIEW 8mm 180º 28mm 75º 35mm 60º 55mm 45º 105mm 23º 200mm 12º 400mm 6º 2018
20 COST Component Canon 1300D (18 MP) 250 Macro lens EF 100mm f Ringflash MR-14EX MK
21 OTHER EQUIPMENT
22
23 THEORY
24 EXPOSURE time aperture light 2018
25 APERTURE f22 f16 f11 f8 f5.6 f
26 APERTURE f2.8 < depth of field and more light f22 > depth of field but less light 2018
27 f2.8 APERTURE
28 APERTURE f2.8 f22
29 1/200 time aperture light f22 or < 2018
30 ISO is the sensitivity of the image sensor. The lower the number the less sensitive your camera is to light and the finer the grain.
31 WHITE BALANCE So we can get the colours as accurate as possible. The range in different temperatures ranges from the very cool light of blue sky through to the very warm light of a candle.
32 MAGNIFICATION RATIOS 1:10 1:2 1:1 2018
33 DIGITAL SENSOR SIZE EOS 5D : Full frame sensor EOS 1300D : Small sensor
34 1:2 1:3 1:1 1:
35 VIEWS
36 magnification ratio, direction, framing
37 :
38
39 FAULTS
40 DISTRACTIONS/ FRAMING asymmetry mirror blood lip cotton roll chin
41 INFO
42 the new manual of PHOTOGRAPHY JOHN HEDGECOE : 25
43 Mastering Digital Dental Photography Wolfgang Bengel : 120
44 KEY VIEWS
45 2. SMILE essential for any cosmetic work make sure patient displays full smile to assess gingival display vertical: midline of teeth or face focus on canine to ensure maximum depth of field horizontal: occlusal plane or horizon 2018
46 2. SMILE 2018 M Natural E
47 3. RIGHT SMILE focus & centre on upper right lateral 2018
48 4. LEFT SMILE focus & centre on upper left lateral 2018
49 5. ANTERIOR RETRACTED teeth slightly apart to show lower incisal edges focus on canine to ensure maximum depth of field 2018
50 6. RIGHT RETRACTED teeth slightly apart to show lower incisal edges focus on upper right lateral 2018
51 7. LEFT RETRACTED teeth slightly apart to show lower incisal edges focus on upper left lateral 2018
52 2018 OPEN OR CO?
53 8. ANTERIOR CLOSE UP focus on the contact point of central incisors contraster optional 2018
54 9. RIGHT CLOSE UP focus on upper right lateral contraster optional 2018
55 10. LEFT CLOSE UP teeth slightly apart to show lower incisal edges focus on upper right lateral 2018
56 MIRROR FOGGING
57 11. UPPER OCCLUSAL vertical: midline of teeth or face remember to warm mirror or use 3:1 air to prevent fogging horizontal: imaginary line through premolars 2018
58 12. LOWER OCCLUSAL remember to warm mirror or use 3:1 air to prevent fogging 2018
59 2018 only for personal download and personal use, if you wish to reproduce in any other form you will require written permission
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