Creator #1 JUNGO ENDO Jungo Endo Dental Studio MANAGEMENT OF GINGIVAL CERAMICS -Creating a Balance between Implant Restoration and Nature- Traditionally an unaesthetic outcome for partially and edentulous patients with implant rehabilitations was created due to the excessive use of tooth colored ceramics and a limited utilization of softtissue colors. Using both tooth and soft tissue colored ceramics allows for a more desirable esthetic outcome by creating a mirror of preexisting soft and hard tissue that was previously there. This type of treatment takes into account lip support and loss of biological tissues as well. Today, patients high esthetic demands require us to push the envelope of desire to recreate periodontal tissues and teeth once lost, in turn, giving restorations a more natural look with proper esthetic contours. This lecture will explain to you what possible problems may present esthetic demanding cases and how to solve them. How to achieve life-like implant restoration with gingival porcelain How to take correct shade from natural gingiva and how to communicate those information with dentist. How to control the value,color and translucency of gingival ceramics with complex cases Jungo Endo, R.D.T. is dental technician born and raised in Japan. He graduated from the Yamagata Dental Technician School in 1995. Upon completing his studies at Yamagata Dental Technician School, he went on to complete a post-graduate master ceramics course at the Osaka Ceramic Training Center from 1998 to 1999. There, he studied under Mr. Shigeo Karaoke, a renowned author of Nature s Morphology (Quintessence). Mr. Endo received the prestigious Shigeo Karaoke Award upon his matriculation in 1999. At the culmination of his studies in Japan, Mr. Endo worked in aprivate lab in Los Angeles for 6 years where he caught the eyes of Dr. John Beumer, III, DDS, MS. He joined the University of California Los Angeles (UCLA) in 2005 as a master ceramist and co-instructor of UCLA Advanced Prosthodontics Laboratory Training Program. He specializes in ceramics on highly esthetic implant supported restorations. Mr. Endo is a renowned lecturer both nationally and globally on esthetics of complex implant-supported restorations. In October 2012, He owned Jungo Endo Dental Studio in Santa Monica, California. In 2013, Mr.Willi Geller selected Jungo Endo to be a member of Oral Design. In 2014, become a member of Bio-Emulation. 9:35am - 10:20am
Creator #2 HIROKI GOTO Sheets, Paquette & Wu Dental Practice Selecting one and only restorative material -Behind the scene series- In today s world of comprehensive dentistry, there are numerous options for treatment plans and material choices. It is critical that the dentist and dental technician work together to choose the best combinations of options given the biological, mechanical, esthetic and biomechanics needs of patient. And I ve recognized that blending of traditional concepts matched with some of the newer, for example CAD/CAM technologies is appropriate. And ceramists should have options to reproduce the color for each different material and restorative design. I will explain how to select a specific material to manage any type of risks and express different approach of porcelain work. Hiroki Goto, RDT, graduated from the Ai-Shi Dental Technique School in 1992 and completed post graduate work at the International Dental Academy in Tokyo. He has mentored with Mr. Naoki Aiba and Mr. Willi Geller through their prestigious Oral Design Courses. Mr. Goto is the Laboratory Manager for the Sheets, Paquette and Wu Dental Practice, a private prosthodontic practice in Newport Beach, California since 2004. He is an accomplished laboratory technician, ceramist, and educator with over 25 years of experience in Japan, Canada and the United States, and he has served as an international instructor for Noritake such as in Europe, Central America, South America, Japan and the United States. Mr. Goto s work can been found in peer-reviewed publications worldwide and he lectures and teaches hands-on courses on both national and international levels. 10:25am- 11:10am
Creator #3 MITSU FUKUSHIMA Art Justice Dental Studio The Secret Behind the Perfect Match Today, variety of magnificent materials have been popularized and it is now possible to choose the best material that suits each patient. However, every material has its set of advantages and disadvantages. Building on long years of experience, I have been focused ceramic work and expanding own business. Within the scope of my work, shade taking is one of the most important techniques. When working with patients and during shade taking, on top of the factory made shade guide, I always utilize my own custom shade guides as well. The reason for this is that the selection of a specific one from a variety of producers are chosen to match the particular case and there is no single pattern to follow. The reproduction of the colors of natural teeth is not an easy task and requires a process of trial and error based on clinical experiences. In this lecture, I will give a d e t a i l e d e x p l a n a t i o n o n v a r i o u s techniques that do not exist in current manuals through actual clinical cases. Mitsutaka Fukushima, R.D.T. graduated in Japan, Kagawa Dental Technician College in 1995. He also finished International Dental Academy in 1996. He established Art Justice Dental Studio in Kagawa, 2014. He has attended many hands on courses and lectures such as Mr. Willi Geller and more to gain his carrier beyond. He has published over 10 articles up to now and gave lectures and hands on courses all over the world. His speciality is shade matching to anterior teeth with using Internal Stain Technique. 11:35am-12:20pm
Creator #4 NAOKI HAYASHI Ultimate Styles Dental Laboratory Energy Flow The Link -Dentist_Technician_Patient With esthetics playing a major role in treatment plans, restorations are almost unacceptable if they are not esthetically magnificent. Dentists and dental technicians have the potential to lighten the future of all patients by brightening up their smiles. It only requires a mere fraction of their time to permanently provide a positive result for the rest of their patients lives. We need to keep in mind that our works are very crucial to give patients healthier results. There are several options available to accomplish functional and esthetic restorations successfully. However, all options may not be accepted by patients. Our biggest responsibility is to achieve the optimal result with the selections that the patient makes. In order to achieve this, there are a few things that we need to keep in mind: Communication with the patient is absolutely essential, and selection and knowledge of the appropriate restoration material and restoration type is crucial. A successful treatment result entails an esthetically acceptable restoration that subtly blends with the remaining teeth. At the same time, however, the patient must see a dramatic change as a result of this restoration. This lecture will present the diagnostic clinical discussions and then move on to the proper steps to attain unified goals between patients, doctors, and technicians through our daily clinical cases. Naoki Hayashi, RDT, MDC graduated in Japan Osaka Dental University in 1992. He lectures all over the country in the field of dental technology. He has worked for both the National Dental Laboratory in Japan and World Lab in the United States. He has also been appointed as an instructor by both the Wasoeda Ceramic Training Center and Noritake Supply Company and as vice president of Ultimate Styles Dental Laboratory. He is the author of A Diary Through the Lens (Quintessence, 2006). He is also a gold member of the American Academy of Cosmetic Dentistry. He has been invited to present at many symposiums and meetings, including the 2006 QDT Symposium at the 5th World Dental Meeting in Japan and the 4th International Congress of Dental Technology. He also established the Hawaii Mid Pacific Sessions (HMPS). 1:30pm - 2:15pm
Creator #5 AKI OGATA Atelier Ogata Achieving Esthetic Results with Complex Implant Restoration We encounter various situations in everyday clinical practice.we deal with various types of implant restorations and increased number of materials in order to fabricate dental prosthesis. We have to be able to control every aspect of manufacturing process from beginning until the final insert. Dental technicians work in variety of different environments and majority of then do not have a chance to meet the patient and the dentist. I often fabricate dental prosthesis in such way myself and do not have a confirmation of the esthetic or functional qualities until the case is finished and tried in patient's mouth. In case of a problem or failure, correction is always possible, but usually the first information regarding the case, whether it was successful or not is given to me from clinician via telephone, where I usually ask me client How did the case go? In this reality, the importance of proper communication between dentist and technician is critical. Over time I developed the method for proper communication that can be applied whether we restoring a single central or full mouth rehabilitation. 1 The need for gingival color porcelain 2 Importance and technique of communication with the dentist 3 Problems and solutions to esthetic evaluation of the prosthesis the CAD/CAM Akinobu Ogata, RDT, Education: 1992 Hiroshima Dental Technology Community College, Hiroshima, Japan 1992 Osaka University Dental Technician course, Osaka, Japan Experience: 2012~ Atelier Ogata, San Clemente, CA, USA / Owner 2001-2011 World Lab USA, Irvine, CA USA / Vice President, Operating Director 1992-2001 Osaka University Dental Technical Department, Osaka, Japan / Instructor 2:20PM - 3:05PM
Creator #6 LUKE HASEGAWA Ozark Prosthodontics Smile Design Most dental technician fabricate restorations from a dental lab prescription.that is the standard for our industry. However, when we do not get to meet the patient, talk with the patient, watch the patient speak, smile, see facial gestures, we are limited to making our restorations based solely on the model. For the majority of our cases, this is our everyday reality. In my 20 year career, the past 15 years I have been working in a prosthodontist practice. I have the fortunate ability to really get to know every patient. I am fortunate enough to be part of their actual treatment. However, I am still learning every day. One thing I needed to understand is how to design restorations so it is natural looking and truly complements each patient. Today, I am designing and fabricating restorations with patient facial muscles and tooth wear patterns. In this presentation, I will share with you the implications of understanding the impact of facial muscles and tooth wear patterns in restorations, regardless of the size of the case. Luke Hasegawa, CDT, graduated from Japan s prestigious Niigata Dental University for Dental Technicians in 1995 and completed a program at Tokyo Dental and Medical University for Dental Technicians in 1997. He received the Special Article Award by the International Dental Technology Association in 1997 for his published article Light Transmitted Porcelain and Composite Resin Material, Additional honors include three gold medal awards from the Florida Dental Association smile competition in 2008. He has had the privilege of being mentored by world pioneer technicians Mr. Willi Geller and Mr. Naoki Aiba. Luke was invited to join Mr. Geller's Oral Design group in 2009.He is lecturing world wide.in 1998 he immigrated to Canada from Japan as a dental technologist and now work in Dr,Dean McNeel s in-house lab since 2010. He resides with his wife and two daughter in Fayetteville Arkansas in United State. He has been a certified dental technician in United state since 2007 3:25pm - 4:10pm
Creator #7 NAOTO YUASA Otani Dental Clinic Reproduction of Natural Vivid Appearance in Porcelain Restorations The internal stain technique is an indispensable method in fabrication of ceramic restoration for anterior teeth. And I would like to propose a method to fully utilize its advantage, raise the accuracy of tooth coloring, and obtain high degree of natural appearance. In this presentation, I will introduce the important points of Shape and color of dentin structure considering build-up sintering ceramics for enamel structure, Dilution of stain, and detailed staining procedure. Naoto Yuasa, RDT, graduated in Tokyo, Japan Toho Dental Technician School in 2004. He lectures in Japan, USA, Italy and more countries all over the world up to now. He has also published many articles and it translated other countries. He is an official International Kararay Notitake instructor. 2010- Otani Dental Clinic, Tokyo, Japan 2004-2010 Kondo Dental Clinic, Tokyo, Japan 2004 Toho Dental Technician School 4:15pm - 5:00pm