York Phil takes part in 1973 competition to find a new national anthem for Australia

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Transcription:

York Phil takes part in 1973 competition to find a new national anthem for Australia A carrier bag containing a number of tape recordings of the York Phil in the 1970s was recently discovered during a loft clearance. Some of these were clearly labelled others were not so these, now fragile, archives are currently being restored and saved. Also in the bag was this 7 inch 45 rpm record dated June 1973. Dirty and scratched it could be cleaned and played but remained a mystery as there is no one active in the choir now who could tell its story. Fortunately the online resources of the National Archives of Australia can help. This is one of the 2500 rejected entries in the 1973 competition held to find a new national anthem for Australia. Words and music are by Jack Morgan a retired Welsh music director who had lived in London for some 50 years and had been smitten by Australia during a visit in 1956 whilst working as the bandmaster on the P&O liner RMS Strathmore. Jack was enthusiastic in making his entry, fervour encouraged, perhaps, by the prizes on offer $5000 each for lyrics and music.

This photo of Jack appears on NAA website and the sketch below by Gilbert Sommerland (V & A collection) shows Jack conducting Puss in Boots in Oxford in 1960. The Australian records office has scanned images of many of the entries submitted for the competition and in an age of handwritten scores and letters the quality of presentation was variable. To that end the entries by Jack do contrast with the smart professional portrayed in this sketch. Jack made 3 submissions to the High Commissioner in London. The first was on December 7 th 1972. The second a signed copy was sent on December 18 th and later an audio tape of our York recording was submitted (now held in the archives in Sydney). Here is the letter Jack enclosed with his first submission:

Here is his hand written ( but on headed notepaper to add to his credibility) second letter dated 18 th December 1972. This credibility was not enhanced by Jack recycling an old envelope and clearly delivering the copy by hand. As would be expected at this time the score was handwritten. Here is the title, the first, and the last page with Jack s dedication: Many of the 2500 entries included Waltzing Matilda in some way or other and Jack was no exception:

Jack suggested interpolating Waltzing Matilda into the score with a hum but when we recorded it in May 1973 we changed it to a whistle. Jack ensured that his composition was registered with the PRS and then perhaps learned that other composers were making audio submissions and so decided to do the same. In 1970 York Philharmonic Male Voice Choir was very successful in a BBC radio choral competition. Let the People Sing! the Phil won the national competition and represented the UK in the international heats against choirs from 25 countries. We reached the semi finals only to be beaten by a Bulgarian ladies choir. Jack would have known of this and this is the most probable reason why he asked for our help rather than seek a choir from his native Wales. What is known is that the arrangements were quickly made and carried out in May 1973. The recording, including an introduction by Jack, was submitted to the High Commissioner and a copy sent to us in York. All this work was to no avail as all the new entries submitted at this time were rejected with the Australian people eventually deciding to adopt an already well known song Advance Australia Fair. From information that is easy to find on the internet it is clear that introducing a new anthem is a sensitive subject and the agreement and adoption of a new anthem took many years. However when Gough Whitlam announced the competition on Australia Day 1973 the newspapers and public were not impressed. The important news of the day was Shane Gould being named Australian of the year after winning three gold, one silver and a bronze medal at the Munich Olympics in 1972. In July of 1973 the Guardian here in the UK commented on the final short list of six and added: If a suitable tune can be found, the winning anthem will be sung for the first time next Australia day, January 26. The Fellowship of Australian Composers, in what has been interpreted, as a truer reflection of Australian spirit than the sentiments in the candidate anthems, is boycotting the competition until its members get more pay. Given the poor state of industrial relations in the UK in the 1970s I am not sure what point the Guardian was trying to make. Reading many of the entries on line and looking back from 2018 it is illuminating to see how many men and women from all over the UK in 1973 felt that they could compose the ideal anthem for Australia and how easily they assumed the right to do so. Many entries

also lacked any gender awareness; even Jack wrote a military style piece and had it recorded by a male voice choir. If (a big if) the judging panel in 1973 had been all male and of Welsh descent then maybe Australia dear Australia may have made the final shortlist. Had that happened then here in York we would be able to add to our list of choir achievements; 1973 - Reached the last six in an international choral competition in Australia. However that was not to be and perhaps there are only two copies of this recording in existence; one safely under lock and key in Sydney and the other recently retrieved from an attic in Easingwold. Jack Morgan never won the prize, perhaps to the relief of all the Australians who may now listen to this little piece of social history. Colin Hockridge 09/04/2018