Each homicide is like life itself. It has a beginning, a middle, and an end. Each crime scene tells a story

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Each homicide is like life itself John H. White, Ph.D. Forensic Psychologist Stockton University ACFP March 26,2015 It has a beginning, a middle, and an end Each crime scene tells a story Hotel clerk killed a pimp left him where he fell argument about payment A person shot a male who was lying in bed in a motel unknown motive A female lying on the floor of her apartment killed by a serial killer staged A 5 year-old female chewed to death left on killer s property under a bed A female bludgeoned to death, chains and cinderblocks weighted her down placed in lake 1

Female stabbed over fifteen times in her bed posed by ex boyfriend 24 year-old female mutilated and left in a field serial killer Woman stabbed 4 times, run over by car driven by ex husband Prostitute stabbed in ally, left at scene Female strangled in hotel room serial killer 7-11 clerk shot execution style during a robbery 7 year-old female abducted from a bus stop. Raped, strangled, placed in a lake The location where the killer leaves the body May or may not be the death scene Police must determine specifics of the crime scene If not, it may be left to Forensic Psychologists 2

May be part of the modus operandi (MO) May be part of a ritual May be part of the signature Must look for one neat and controlled aspect M.O. --Comprised of those actions necessary to commit the crime Has three basic purposes: 1. Insure success 2. Protect Identity 3. Facilitate/Expedite escape M.O. is learned behavior In a constant state of change because: Experience Maturity Education Reshaped to meet the demands of the crime Actions unnecessary to the commission of the crime Shaped to meet the demands of the offender s fantasy Purpose - psychological gratification Ideals remain constant, although devices may change 3

A unique combination of behaviors never seen before Example: Bite marks on chin and breasts Example: Tear bra off with blouse on Example: Place drugs in Vict s anal and vaginal areas Crime scene is chaotic except for one aspect Chase bathtub Elveson - ear rings Hendricks - silverware drawer Indicates mental illness and regression The geographical area with which an offender is familiar and relaxed. Close to where the perpetrator lives, works or where he/she regularly frequents. Leave the body at the scene untouched Leave the body at the scene Burn the crime scene Stage crime scene Display and pose victim Conceal the body 4

Transport victim s body Burn the victim s body Conceal the victim Bury the victim Throw in water Display and pose the victim Dump the victim Usually initial crime scene investigated Could be a secondary or tertiary crime scene Manner and circumstances may lead to logical conclusions Reflects criminal experience May indicate a relationship between victim and offender A method of disposing the body after death in which the killer made a concerted effort to make sure the body would not be found or at least delay the discovery. Most commonly used by the organized offender. Usually used by the organized killer The killer places the body in a location where it is sure to be found. May position the body to: Degrade the victim (Bobby Joe Long, George Russell, Jr.) Protect the dignity of the victim (re-dress the victim) Shock those who find the victim (Danny Rolling) 5

Killer makes little or no effort to conceal the body. Haste is usually the primary objective. Most commonly used by the disorganized offender A careful analysis of the crime scene may help answer questions in an equivocal death. This is a death scene where the manner of death (natural, accidental, homicide, or suicide) is not readily apparent. Look for a feminine touch if a female allegedly commits suicide. If the crime scene sounds or looks familiar, check for linkage analysis. Richard Fortin Case 6

Body and crime scene may indicate the perpetrator s core behaviors. Core behaviors Physical injuries to victim Sexual assault Writing or communication (on body or wall) Like William Heirens Lipstick Killer Look for overkill patterns. Indicates anger and rage. If not serial, subject most likely knew her killer. Material interest in a physical item because of its ownership by the perpetrator who does not want it damaged Bodies found in trunks of cars or burned cars Damage to property in house Jeffrey MacDonald case Circumstances may not allow offender to hide the body, so dumped Killer may want to make a statement Killer placed body on his brother-in-law s front porch Hillside Stranglers left body on hillsides 7

Wayne Williams left some of his bodies on the side of the road Johnny Register left victim Crystal Todd in a ravine Atlantic City Serial Killer left four bodies in a ravine Gary Ridgway (Green River Killer) Had clusters So he could remember where they were Go back to the body for sexual purposes Ridgway (sexual reasons) water and woods Arthur Shawcross (sex and cannibalize) water and woods Gerard J. Schaefer (sexual reasons) - woods Ted Bundy (sexual reasons) - woods Herb Baumeister John Wayne Gacy Juan Corona Robert Yates (one body next to bedroom window) Dorothea Puente Anthony Sowell Kendall Francois 8

89% in US lived in close proximity to the body disposal sites (DILTS) Deliberately alters the crime scene the way the perpetrator thinks it would have occurred in order to mislead police (only 3%) Miss aspects that make the scene believable Injuries on body do not match the way it should have happened Two reasons: 1. Direct the investigation away from the actual perpetrator (i.e. husband kills wife, makes it look like intruder) Ferguson found out of 115 cases of staging: 48.7% were a spouse or ex significant other 51.3% were females Largest age group of victims were 18 to 29 years of age 2. Protect the victim or victim s family from embarrassment or notoriety maintain privacy (i.e. autoerotic fatalities, rape murder) 9

Ferguson - 115 cases Most common stages were: Burglaries Suicides Accidents Car accidents Autoerotic fatalities: A device is used to cut off oxygen for sexual pleasure Person may remove device, reposition the body, remove costume or dress May attempt to stage as a homicide Offender makes self-initiated contact with police to report a homicide victim as a missing person Rape-murder - Person may reposition the body, redress the body so not to humiliate Scott Petersen reported his pregnant wife missing 10

Almost all staged suicides are by a domestic partner Manipulation of the victim s body after death 4 reasons 1. To shock people who find the body 2. To humiliate and degrade the victim 3. For perverted pleasure of the perpetrator 4. To psychologically undo the crime Almost always a part of the signature Demonstrates power even after death Sexual murderers Organized offenders more likely to move the body Disorganized offenders tend to leave the body at the death scene 11

Sexual aspects Nude Breasts, buttocks, or genitalia exposed Articles of clothing stuffed in the victim s mouth Feces or urine in mouth or on body One killer washed the victim s body, bandaged her wounds, dressed her in a clean nightgown, placed her in bed A killer brushed his victim s hair John Gacy Buried 23 bodies in his crawl space Jeffrey Dahmer Kept bodies in his apartment Dennis Neilsen Kept bodies in his aprtment Anthony Sowell Kept bodies in house and backyard Dorothea Puente bodies in garden 12

If had conflict with with victim within 48 hours of the murder, usually left the body at the death scene Stay tuned Sexual murderers of children more likely to move the body than sexual murderers of adults Bartol, C, & Bartol. A. (2013). Crime scene profiling. In Criminal Profiling, Thousand Oaks, CA: Sage Publication. Douglas, J. E., & Munn, C. (1992). Violent crime scene analysis: Modus operandi, signature, and staging. FBI Law Enforcement Bulletin, 61(2), 1-10. Ferguson C. (2014). Staged homicides: An examination of common features of fake burglaries, suicides, accidents, and car accidents. Journal of Police and Criminal Psychology, 1-19, Retrieved November 18, 2014, from Ebsco Host. Ressler RR, Burgess, AW, Douglas JE. Sexual homicide: Patters and motives. New York, NY, Lexington Books, 1988 13