Biomedical music therapy as procedural support: Understanding the effects of music therapy on pain and anxiety from a neurological perspective

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Biomedical music therapy as procedural support: Understanding the effects of music therapy on pain and anxiety from a neurological perspective Olivia Swedberg Yinger, MME, MT-BC The Florida State University Tallahassee Memorial HealthCare Foundation

Procedure Any physiological task a patient must perform or submit to which: Provides information regarding the patient s physical state, or Aids in the patient s healing process. Philp, 2012

Procedural Support Music Therapy The use of music and aspects of the therapeutic relationship to promote healthy coping and decrease distress in individuals undergoing medical procedures. Ghetti, 2011, p. 4

Music Therapy Goals: Patients Decrease anxiety before, during, and after. Decrease perception of pain during procedure. Serve as an adjunct to sedative and analgesic medications and attempt to decrease their use.

Music Therapy Goals: Patients Teach and reinforce coping strategies that can be used with or without direct intervention from the music therapist. Promote completion of tasks needed for a specific procedure and timely completion of the procedure.

Music Therapy Goals: Family and Staff Provide family members with creative and effective ways to support their child. Model child-friendly techniques for healthcare staff. Philp, 2012

Pain An unpleasant sensory and emotional experience associated with actual or potential tissue damage. International Association for the Study of Pain, 2011, para. 1

Anxiety The apprehensive anticipation of future danger or misfortune accompanied by a feeling of dysphoria or somatic symptoms of tension. American Psychological Association, 2000, p. 820

Gate Control Theory of Pain Physical damage occurs to nerve endings in the peripheral nervous system (PNS) Awareness and interpretation of pain occurs in central nervous system (CNS) Melzack & Wall, 1965 (in Davis, Gfeller, & Thaut, 1999)

Gate Control Theory of Pain Neural gates open or close to various degrees, modulating the severity of pain signals. Factors that determine the degree to which gates are open: Amount of noxious stimulus (pain) Competing sensations Messages from the brain (emotional) Melzack & Wall, 1965, in Davis, Gfeller, & Thaut, 1999

Neuromatrix Theory of Pain Inputs: Cognitive-evaluative Sensory-discriminative Motivational-affective Outputs: Pain perception Action programs Stress-regulation programs Melzack, 2001

Neurophysiology of Pain and Anxiety Reticular activating system: Circuit of neurons in the brainstem that regulate attention, sleep, and wakefulness. Thalamus: Relay center between sensory input from the PNS to the CNS. Anterior cingulate cortex: Cognitive center for interpretation and evaluation of pain and emotion. Bernatzky et al., 2011; Philp, 2012; Taylor, 1997

Neurophysiology of Pain and Anxiety Amygdala: Integrates physiological and hormonal responses to fear and anger. Responds to stressful stimuli by sending signals to the brainstem, which increase heart rate and blood pressure, and to the hypothalamus. Hypothalamus: Signals secretion of stressrelated hormones (cortisol, epinephrine, and norepinephrine).

Neuroanatomy

Neurophysiology of Pain and Anxiety Cortisol: Helps break down protein into glucose, needed to provide energy. Epinephrine (adrenaline): Increases heart rate, constricts blood vessels, dilates air passages. Leads to increase blood glucose and fatty acids for energy. Norepinephrine (noradrenaline): Increases blood pressure, triggers release of glucose from energy stores.

Neurophysiology of Pain and Anxiety Endogenous opioids (aka endogenous morphine or endorphins): Reduce pain awareness. Disinhibit dopamine pathways. Bind with opioid receptors in the periaqueductal gray matter of the midbrain.

Effects of Music on Pain Induces production of endogenous opioids (endorphins). Inhibits activity of neurons bringing pain information to the central nervous system. Music therapists can help bring awareness to musical stimulus rather than painful stimulus, engaging the reticular activating system. Taylor, 1997

Neuroimaging Research on Music College music majors (N = 10) underwent PET scans while listening to music that gave them chills Cerebral blood flow increases were observed in brain regions thought to be involved in reward, motivation, emotion, and arousal (ventral striatum, midbrain, and orbitofrontal cortex). These brain structures are known to be active in response to other euphoria inducing stimuli, such as food, sex, and drugs. Blood & Zatorre, 2001

Measuring Blood Levels of Hormones after Music Listening/Music Therapy Decreases in production of cortisol, a stress hormone. 1 Increases in production of melatonin, which promotes relaxation. 2 1 Nilsson et al., 2005 2 Kumar et al., 1999

Adult Procedural Support: Labor and Delivery Participants: Women (n = 20) who received live music therapy for 20 minutes during childbirth and women (n = 20) who received standard care during childbirth. Results: Participants who received live music therapy reported: significantly less pain significantly less fatigue Fulton, 2005

Adult Procedural Support: Magnetic Resonance Imaging Participants: Teens and adults who received live music therapy (n = 44) or standard care (n = 44) during MRI. Results: Participants in the music therapy group: reported significantly better perceptions of the procedure requested fewer breaks had shorter procedures (lumbar and brain scans) Walworth, 2010

Adult Procedural Support: Chemotherapy Participants: Adults who received live music therapy for 20-30 minutes (n = 25) or standard care (n = 25) during chemotherapy. Results: Participants who received music therapy reported: significantly less fear, anxiety, and fatigue significantly greater relaxation Ferrer, 2005

Pediatric Procedural Support: Needle Insertions Participants: Children under age seven who received live music therapy (n = 20) or standard care (n = 20) during an IV start, venipuncture, injection, or heel stick. Results: Children who received music therapy showed: significantly less behavioral distress during pre-needle and post-needle phases Malone, 1996

Research on Music Listening/Music Therapy and Heart Rate Medical specialty k (number of studies) N (total sample size) r u (effect size) p (level of significance) Q (homogeneity, * indicates heterogeneity) Across specializations 42 1805 0.24.00 138.93 * Neonatology 5 240 0.30.01 5.56 Surgery 15 763 0.24.00 63.93 * Cardiology/ICU 11 579 0.13.04 18.76 * Dileo & Bradt, 2005

Research on Music Medicine/Music Therapy and Blood Pressure Measure Medical specialty k N r u p Q Mean arterial pressure Across specializations 4 192 0.31.02 8.54 Systolic BP Surgery 9 450 0.26.00 8.93 Systolic BP Across specializations 21 1055 0.19.00 27.62 Diastolic BP Cardiology/ICU 8 475 0.10.04 5.27 Dileo & Bradt, 2005

Research on Music Medicine/Music Therapy and Pain/Anxiety Measure k N r u p Q Sedative drug intake 5 355 0.35.00 8.77 Anxiety (STAI) 40 1921 0.30.00 161.97 * Pain 49 2872 0.23.00 137.09 * Anxiety (non-stai) 17 780 0.2.00 20.35 Analgesic drug intake 11 571 0.16.01 17.83 Dileo & Bradt, 2005

Moderators of Effects of Music on Pain Pain: Effect sizes were significantly greater in studies which used music therapy (r u =.62) compared to studies which used music medicine (r u =.18). Dileo & Bradt, 2005

Moderators of Effects of Music on Anxiety Anxiety (STAI): Effect sizes were greater for music therapy (r u =.50) compared to music medicine (r u =.30), though not significantly. Anxiety (Non-STAI): Effect sizes were greater for music therapy (r u =.30) compared to music medicine (r u =.16), though not significantly. Dileo & Bradt, 2005

Biomedical Theory of Procedural Support Music Therapy Listening to music has the potential to decrease pain and anxiety during medical procedures by affecting the way the brain processes aversive stimuli at both the cortical and sub-cortical level. Music therapists promote coping by increasing focus on musical and interpersonal stimuli, affecting the reticular activating system, and influencing decision-making at the cortical level.

Implications for Practice Recorded music beneficial at alleviating pain and anxiety, live music therapy frequently better. Preferred/familiar music frequently better. Sedative or stimulative music- depends Passive or active music therapy- depends

Areas for Future Research Multiple dependent measures Compare interventions Design protocols specific to procedures and populations Measure distal factors, regression analysis Long-term effects: Clockwork Orange Effects on caregivers/staff

Music Therapy Techniques Music Alternate Engagement Music Assisted Relaxation Integration

Music Alternate Engagement (MAE) Participation in musical interventions including songwriting, playing musical instruments, singing, or active listening. Override pain and anxiety signals by serving as competing sensory stimuli.

Music Assisted Relaxation (MAR) Uses the elements of music (tempo, timbre, melodic contour) to match the patient s level of arousal and help them transition to a more relaxed state. Encourage the patient to actively attend to musical stimulus over other environmental stimuli.

Integration Alternative to distraction. Calls upon the child to come into the body by focusing on the breath, heart rate, emotional intention, and resonance, i.e. the feeling of pain itself. Loewy, 1997, as cited in Ghetti, 2011, p. 5

Considerations Understand the procedure Facilitate caregiver involvement Facilitate interdisciplinary involvement Evaluate success Philp, 2012

Considerations Pediatric vs. adult Non-invasive vs. invasive First time vs. repeat procedure History of medical experiences

Elements of the Therapeutic Relationship: Distal Factors Child psychosocial factors: Fear, coping style, behavior problems, temperament, previous experience Parent psychosocial factors: Negative affectivity, coping style Family factors: Marital quality, family environment, parent relationship with child, social support, stress Blount, Bunke, & Zaff, 1999, 2000

Elements of the Therapeutic Relationship: Proximal Factors In-session coping-promoting or distresspromoting behaviors of: Parents Staff Blount, Bunke, & Zaff, 1999, 2000

Distal Factors CHILD PSYCHOSOCIAL FACTORS Fear Coping Style Behavior Problems Temperament Previous Experience PARENT PSYCHOSOCIAL FACTORS Negative Affectivity Coping Style FAMILY FACTORS Marital Quality Family Environment Parent Relationship with Child Social Support Stress Proximal-Distal Model of Child Coping and Distress During Acute Medical Procedures PARENT IN-SESSION BEHAVIOR Distress Promoting Coping Promoting Proximal Factors STAFF IN-SESSION BEHAVIOR Distress Promoting Coping Promoting CHILD IN-SESSION BEHAVIOR Coping Distress Blount, Bunke, & Zaff, 1999, 2000

Coping-promoting behaviors: What to Say... Non-procedural talk/singing: What kind of animal did Old MacDonald have on his farm? Humor directed at the child: The cow says, oink! Commands to use coping strategies (deep breathing): Take a deep breath. Blount et al., 1989

Distress-promoting behaviors: What NOT to Say... Reassuring comments: It will be over soon. Apologizing: I m sorry. Empathic statements: I know it hurts. Giving control to the child: Tell me when you re ready to start. Criticizing: Don t be such a baby. Blount et al., 1989