Keywords cymatics; musical notes, FFT, chaladni plate.

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1 Volume 4, Issue 3, March 2014 ISSN: X International Journal of Advanced Research in Computer Science and Software Engineering Research Paper Available online at: Spectral Analysis of Cymatic Images of A3 to C5 Musical Notes Bhaurao S Badak, Dr.Ajay A. Gurjar Department Of Electronics And Telecommunication Sipna College of Engineering and Technology Amravati, India Abstract Medical science is developing different techniques to heal diseases. Diseases are physical or psychological, music therapy uses different sounds. in this paper we are analyzing A3 to C5 Musical notes which is having remarkable clinical significance. we are converting A3 to C5 notes into images and then analyzing those images Keywords cymatics; musical notes, FFT, chaladni plate. I. INTRODUCTION In the beginning was the word or in Sanskrit, Nada Brahma, the world is sound. The amazing power of sound to change and shape matter is fundamental to all life and many spiritual technologies. Cymatics is the study of wave phenomenon, which emerged as a distinct scientific discipline in the 1950s. Robert Hooke, Ernst chladni, Margaret watts Hughes and Hans jenny were the initiators of Cymatics each of whom found wonder in The changing patterns as they animated matter reacting sound. We used 110 Hz to 523Hz audio signal for the experimentation which corresponds to A3 to C5 Musical Notes. As we gradually shift from low frequency to higher one the pattern corresponds to it become more complex. Cymatics work on the principle of standing wave patterns and different patterns are developing because of number of nodes and antinodes develop on the plate. On July 8,1680, the English experimental philosopher, Robert Hooke broke, broke the visible sound barrier when he spread flour on a small glass plate and passed a violin bow along the edge of the plate different pattern are observed. About 100 years later this phenomenon was re-discovered by the German physicist, Ernst F.F Chladni known as the father of Acoustics, who laid the foundation for the study of physics of sound. In 1831 the great experimental scientist.michael Faraday, published a paper of describing his observation of geometric. nodal forms. Appear in granular solid under the effect of vibration. In 1885, an American, Margaret watts Hughes, a singer and devout Congregationalist, begin experimenting with the eidophone,a small, saxophone-like instrument with a membrane spread tightly over the bell upon which she spread various powers and liquids by singing long, sustained tones into this device, she was able to create finely detailed images mirroring the brachiated structure of plants and flowing water. Jumping ahead to the 1960s in the small town of Dornach in the foothills of the Swiss Alps.Dr Hans Jenny constructed a similar device, which he called a tonoscope, to transform the human voice into visual sound figures. He had developed a toy which was used to teach deaf children to speak. Further jenny uses frequency generator and amplifier to get different images Jenny coined the term Cymatics (Kyamatics in German) from the Greek to kyma (pertaining to waves) [6]. Acoustic engineer and long-time UK Cymatics researcher, John Reid has developed an electro-acoustic device enabling one to visualize the voice, music and other sound sources Jeff Volk tells how Sound frequencies used in Cymatics can tone up our body and tune up our mind, cyamatherapy which uses specific sound frequencies to stimulate muscles, organ, even bones, to their natural state of resonance. II. CLINICAL SIGNIFICANCE 1. (Frequency F, 73 Hz) For use when cellular activity is hypoactive, such as chronic recurring problems, nonunion fractures and chronic splints and for stimulation of osteoid. It is also helpful in activating humoral and endocrine functions. Field work has shown setting 1 is helpful in stimulating (tonifying) acupuncture and trigger points and increasing circulation in areas being treated, such as wounds when past the acute stage.[8] 2. (Frequency G, 147 Hz) For areas of yellow scar tissue that are generally formed internally on tendons, ligaments and sub-acute (lingering but not chronic) conditions. Field use has shown setting 2 to be helpful in reducing inflammation associated with injuries and infections. This is often called the universal frequency because most problems involve inflammation.[8] 3. (Frequency A, 294 Hz.) For tissue of ectodermal origin, such as body openings, skin and nerve. Field applications include wounds, eye injuries and after surgery. Setting 3 tends to tone tissue while minimizing the chance of hemorrhaging fresh wounds or recent surgical sites. It is also good for the treatment of acupuncture and trigger points, corneal ulcers and ulcerated mucous membranes. This is called the universal frequency in acupuncture.[8] 2014, IJARCSSE All Rights Reserved Page 889

2 4. (Frequency B, 587 Hz.) This frequency appears to be most effective for neuropathy, but also for circulatory and lymphatic stimulation and treatment of tissue of endodermal origin, such as GI tract, liver and pancreas. In field applications, setting 4 has been used in conjunction with 5 and 2 for tendon, ligament, joint and other injuries where reaching secondary levels of tissue is needed.[8] 5. (Frequency C, 1174 Hz.) For tissue of mesodermal origin, such as bone, joints, ligament, viscera and tendon. Field experience has shown setting 5 to be especially good for tendon and ligament injuries when used with 4 and 2. It also helps in relaxing large muscle groups.[8] 6. (Frequency D, 2349 Hz.) For chronic conditions not responsive to setting 3 or 5. Field experience shows setting 6 to be a good supplement to 3 when healing processes appear to reach a plateau.[8] 7. (Frequency E, 4698 Hz.) For pain control, primarily when C nerve fibers are transmitting to dorsal root ganglia and when involvement of neurotransmitters is of physiological importance. Field experience shows 7 to help suppress pain and to sedate acupuncture and trigger points and aid in diminishing excess calcification associated with chips, spurs and arthritic conditions.[8] III. RESULTS TABLE I Sr.no Observations Note Original image 2DFFT 1 A3 2 B3 3 C3 4 D3 2014, IJARCSSE All Rights Reserved Page 890

3 5 E3 6 F3 7 G3 8 A4 9 B4 10 C4 2014, IJARCSSE All Rights Reserved Page 891

4 11 D4 12 E4 13 F4 14 G4 15 A5 16 B5 2014, IJARCSSE All Rights Reserved Page 892

5 17 C5 IV. CONCLUSIONS In the above experimentation it is observed that as we move from lower note to higher note the original image corresponds to particular note become more and more complex. For some notes no patterns are observed which is because those notes are not responsive to the plate. Thus this may be helpful in characterizing the material surface properties. In frequency domain it is observed that as we move from lower note to higher note the spread in frequency increasing with some dispersion in spectrum. For non responsive notes dc component is observed at the center of the image FFT. ACKNOWLEDGMENT I give my sincere thanks to Sipna College Of Engineering And Technology Amravati for providing the platform to work. I also thankful to my guide for their valuable guidance. I am thankful to my friends who have help me directly and indirectly. REFERENCES [1] G You Jin Oh and Sojin Kim, Experimental Study of Cymatics IACSIT International Journal of Engineering and Technology, Vol. 4, No. 4, August [2] Sound vision patterns of vibration in sound,symbols and the body a thesis submitted in partial fulfilment of the master of design Rachael Linton at Institute of communication design Massey University Wellington New Zealand [3] Kindred spirit issue 60 autumn [4] [5] From Vibration to Manifestation: Assuming our rightful place in creation all is vibration!-novalis. [6] Cymatics insights into the invisible world of sound 12.issue 71 caduceus [7] Images by Alexander lauterwasser from water sound images@2005 MACRO media publishing. [8] Dr. Nogier Frequency Medicine Revealed DiscoverLasers.com.htm 2014, IJARCSSE All Rights Reserved Page 893

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