SEX AND AGGRESSION IN NELSON Mc CORMICK s PROM NIGHT MOVIE (2008); A PSYCHOANALYTIC CRITICISM

Transcription

1 SEX AND AGGRESSION IN NELSON Mc CORMICK s PROM NIGHT MOVIE (2008); A PSYCHOANALYTIC CRITICISM RESEARCH PAPER Submitted as a Partial Fulfillment of the Requirements for Getting Bachelor Degree of Education in English Department by FEBRIASARI RATNA WULAN A SCHOOL OF TEACHER TRAINING AND EDUCATION MUHAMMADIYAH UNIVERSITY OF SURAKARTA 2011 i

2 APPROVAL SEX AND AGGRESSION IN NELSON Mc CORMICK s PROM NIGHT MOVIE (2008); A PSYCHOANALYTIC CRITICISM RESEARCH PAPER by FEBRIASARI RATNA WULAN A Approved to be Examined by Consultant Consultant I Consultant II Drs. M. Thoyibi, M.S Titis Setyabudi, S.S., M.Hum NIK. 410 NIK. 948 ii

3 ACCEPTANCE SEX AND AGGRESSION IN NELSON Mc CORMICK s PROM NIGHT MOVIE (2008); A PSYCHOANALYTIC CRITICISM Accepted and Approved by the Board of Examiners School of the Teacher Training and Education Muhammadiyah University of Surakarta on November, 2011 Team of Examiners: 1. Drs. M. Thoyibi, M.S. ( ) (Chair Person) 2. Titis Setyabudi, S.S., M. Hum. ( ) (Member I) 3. Dr. Phil. Dewi Candraningrum ( ) (Member II) Dean Drs. H. Sofyan Anif, M. Si. NIK. 547 iii

4 TESTIMONY I herewith assert that there is no work had been submitted to obtain bachelor degree in any University in this research paper and as far as I concern no work, opinion or masterpieces had been written or published by someone else except the written references which are referred in this paper and mentioned in the bibliography. If only here will be any incorrectness proved in the future in my statement above, I will be fully responsible. Surakarta, November 2011 The Writer Febriasari Ratna Wulan iv

5 MOTTO v

6 DEDICATION! " # $$ $ $ $ $$ % vi

7 ACKNOWLEDGMENT All the praises and thanks to Allah SWT, the Lord of the lamn (mankind, jinn and all that exists) who always gives kindness, mercies and blessings to the writer with health and tremendous power to finish the research paper entitled SEX AND AGGRESSION IN NELSON Mc CORMICK s PROM NIGHT MOVIE (2208); A PSYCHOANALYTIC CRITICISM. Peace and salutation are also given to our prophet Muhammad SAW, the last Messengers of God, who has guided us from the darkness to the brightness, from stupidity to cleverness and from Jahiliyah to Islamiyah. The success would not be achieved without the help, support, and encouragements from many people during conducting and finishing the research paper. Therefore, on this opportunity, she would like to express her special gratitude and appreciation to the following people: 1. Drs. H. Sofyan Anif, M.Si., Dean of School of Teacher Training and Education of Muhammmadiyah University of Surakarta, for approving this research paper, 2. Drs. M. Thoyibi, M.S., the first consultant who always gives guidance, advices, supports, corrections, and also discussion in conducting this research paper, vii

8 3. Titis Setyabudi,, S.S. S., M.Hum., Head of English Department Muhammadiyah University of Surakarta, and also the second consultant for the willingness in giving the correction about the weakness of this research paper, 4. All of the lecturers in English Department at Muhammadiyah University of Surakarta, for transferring the knowledge and giving guidance, 5. Her great lovely parents, Mom (Ibu Sri Suwarmi and Dad (Bapak Achmad Fauzan,S.Pd), for the love, patience, prayer, advice, trust, and for the best support for her, 6. Her beloved siblings, Mbak Ana and husband Mas Yudhi for their love and support so that the writer is able to complete this research, 7. Her nephew will be, for the happiness in the family, 8. Her great lovely friends, Virus.com; ; Nova Mbah e, Fajar, Trisum, Reni, Riska, Nimas, Nurul, Hana, Fovri, Putri, Komo and arbi for this warm and meaningful friendship. This friendship needs no reason to make the unity inside, 9. Arif Lanyink Repto, for the new relation as her brother and togetherness at home. Your joke always makes her smile and laugh, 10. Her mate will be H-jiBe, for the attention, support, and always make happy when the writer s feel tired and bored to complete this research, 11. Her big family, Eyang, Pakdhe, Budhe, Om, Bulik wherever you are, for the love and prayer to her, viii

9 12. Her friends in English Department 07,, for the unforgettable memories, 13. All of partners in PPL SMK Muhammadiyah 1 Sukoharjo, who has been the great friendship ever, 14. Her team work, for the chance to work at the office and support to complete this research, 15. All her student at English Central, MIN Jetis 1 Sukoharjo, also SD Negeri Gayam 1 Sukoharjo, 16. And others which cannot be mentioned one by one, who help the writer in finishing the research paper and for all the big supports. The writer realizes that this research paper is still far from being perfect and still needs many improvements. However, the writer hopes this research paper will give useful significance to readers. Surakarta, November 2011 Febriasari Ratna Wulan ix

10 TABLE OF CONTENT Page TITLE... i APPROVAL. ii ACCEPTANCE... iii TESTIMONY.. iv MOTTO... v DEDICATION. vi ACKNOWLEDGEMENT.. vii TABLE OF CONTENT.. x LIST OF FIGURE... xiv ABSTRACT.. xviii CHAPTER I: INTRODUCTION A. Background of the Study.. 1 B. Literature Review. 7 C. Problem Statement... 8 D. Limitation of the Study. 8 E. Objective of the Study.. 8 F. Benefits of the Study 9 G. Research Method.. 10 x

11 H. Research Paper Organization 11 CHAPTER II: UNDERLYING THEORY A. Psychoanalytic Theory Notion of Psychoanalysis Structure of Personality.. 14 a. Id 15 b. Ego. 16 c. Superego Sex and Aggression. 17 B. The Structural Elements of the Movie a. Narrative Elements.. 18 b. Technical Elements.. 20 C. Theoretical Application. 26 CHAPTER III: STRUCTURAL ANALYSIS A. Structural Analysis of Movie 1. Narrative Elements a. Character and Characterization. 27 1) Major Character. 28 2) Minor Character. 34 b. Plot 53 1) Beginning 53 2) Middle 54 xi

12 3) Ending 55 c. Setting 55 1) Setting of Place 56 2) Setting of Time 58 d. Point of View. 59 1) POV in Terms of Camera Shot. 59 2) POV in Terms of Storyteller.. 60 e. Theme Technical Elements a. Mise en Scene. 60 1) Lighting 61 2) Costume and Make up. 63 3) Set Dressing and Props 69 4) Casting and Acting.. 77 b. Cinematography 80 1) Photographical Qualities of Shot 80 2) Framing of Shot ) Duration of Shot. 84 c. Sound. 85 1) Spoken Words 85 2) Sound Effect 85 3) Music 85 4) Silence.. 86 xii

13 d. Editing. 86 B. Discussion.. 88 CHAPTER IV: PSYCHOANALYTIC ANALYSIS A. Analysis of Richard Fenton s Personality 91 B. Sex and Aggression of Richard Fenton 94 C. Discussion 100 CHAPTER V: CONCLUSION AND SUGGESTION A. Conclusion. 102 B. Suggestion. 103 BIBLIOGRAPHY APPENDIX xiii

14 LIST OF FIGURE Figure 1 : Fenton s appearance Figure 2 : In embellishment of Michael 30 Figure 3 : Fenton threaten Donna Figure 4 : Donna s appearance Figure 5 : Donna met psychiatry 32 Figure 6 : Donna and Claire in the room 34 Figure 7 : Bobby s appearance.. 35 Figure 8 : Bobby gives support to Donna.. 35 Figure 9 : Bobby keep Donna at home.. 36 Figure 10 : Lisa s appearance 37 Figure 11 : Claire s appearances Figure 12 : Claire has dispute with Michael. 39 Figure 13 : Fenton killed Claire. 40 Figure 14 : Ronnie s appearances 41 Figure 15 : Ronnie is giving support to Lisa 41 Figure 16 : Ronnie make a toast 42 Figure 17 : Michael s appearances Figure 18 : In embellishment of Michael.. 44 Figure 19 : Detective Winn s appearances 45 Figure 20 : Finding the evidences.. 45 Figure 21 : Winn asks Fenton s escape.. 46 Figure 22 : Winn gives instruction 47 Figure 23 : Winn gun to Fenton. 48 Figure 24 : Aunt s Karen appearances 48 Figure 25 : Karen gives support to Donna Figure 26 : Karen looks panic and shock. 50 Figure 27 : Karen and Jack hug Donna Figure 28 : Jack s appearance. 51 Figure 29 : Jack is calming down Karen. 51 xiv

15 Figure 30 : Jack give attention to Donna Figure 31 : Bridgeport District. 56 Figure 32 : Bridgeport District. 56 Figure 33 : Karen and Jack s house, Donna live in here with them. 57 Figure 34 : Police office of Bridgeport 57 Figure 35 : Pacific Grand Hotel Figure 36 : Setting of time can see from the camera digital. 58 Figure 37 : Karen s POV.. 59 Figure 38 : Donna s POV 59 Figure 39 : Day light 62 Figure 40 : Day light. 62 Figure 41 : Night light. 62 Figure 42 : Night Light 62 Figure 43 : Winn and Nash s costume as police. 63 Figure 44 : Fenton s costume in the jail.. 64 Figure 45 : Fentpn s costume using coat and hat Figure 46 : Fenton s costume using bellboy uniform Figure 47 : Housekeeping s uniform Figure 48 : Receptionist hotel s uniform. 65 Figure 49 : The policeman s uniform.. 65 Figure 50 : Fenton s make up in the jail.. 66 Figure 51 : Fenton s make up to undercover.. 66 Figure 52 : Donna s make when traumatic.. 66 Figure 53 : Corpse s make up.. 67 Figure 54 : Corpse s make up.. 67 Figure 55 : Corpse s make up.. 67 Figure 56 : Fenton s make up Figure 57 : Old women s make up Figure 58 : Women s make up at party 68 Figure 59 : Make s up for men. 68 Figure 60 : Outside of Donna s house.. 69 xv

16 Figure 61 : Pictures property.. 70 Figure 62 : Lamp Property. 70 Figure 63 : Television and sofa.. 70 Figure 64 : Wardrobe and clothes.. 70 Figure 65 : Sofa and pillows.. 70 Figure 66 : stick base ball Figure 67 : Hair dryer and nail polish 71 Figure 68 : mirrors, chairs, washbowl, tables 71 Figure 69 : Karen s house outside. 72 Figure 70 : Sofa in terrace.. 72 Figure 71 : Living room properties. 72 Figure 72 : Television, washbowl, and pictures.. 72 Figure 73 : mirror in the bathroom.. 72 Figure 74 : make up properties Figure 75 : Police department s outside Figure 76 : Office s properties. 73 Figure 77 : Office s properties. 73 Figure 78 : Tables, computer, and book property. 74 Figure 79 : Pacific Grand Hotel s outside. 74 Figure 80 : Pacific Grand Hotel 74 Figure 81 : Lobby of the hotel.. 75 Figure 82 : Bathroom properties Figure 83 : Hotel s room.. 75 Figure 84 : Hotel s bedroom Figure 85 : Stage in the club 76 Figure 86 : Lamp in the club Figure 87 : Club s properties.. 76 Figure 88 : DJ music s table Figure 89 : Limousine 77 Figure 90 : Motorcycle.. 77 Figure 91 : Fenton s knife. 77 xvi

17 Figure 92 : Winn s revolver.. 77 Figure 93 : Straight on angel.. 81 Figure 94 : High angel scene. 81 Figure 95 : Low angel scene. 81 Figure 96 :Extreme long shot Figure 97 : Long shot 82 Figure 98 : Medium long shot.. 82 Figure 99 : Medium long shot.. 82 Figure 100 : Medium close up.. 83 Figure 101 : Close up Figure 102 : Close up Figure 103 : Extreme close up. 84 Figure 104 : Extreme close up. 84 Figure 105 : Editing of Prom Night 87 xvii

18 ABSTRACT Febriasari Ratna Wulan. A SEX AND AGGRESSION IN NELSON Mc CORMICK s PROM NIGHT MOVIE (2008); A PSYCHOANALYTIC CRITICISM. Research Paper. Muhammadiyah University of Surakarta The major problem in this study is to show sex and aggression in Nelson Mc Cormick s Prom Night movie by using psychoanalytic criticism. It is conducted by analyzing the movie based on its structural elements and based on psychoanalytic criticism. This research is qualitative research. Type of data of the study is text and image taken from two data sources: primary and secondary. The primary data source is Prom Night movie directed by Nelson Mc Cormick released in While the secondary data sources are taken from the books of literary, internet, and other relevant information. Both data are collected through library research and analyzed by descriptive analysis. Using a psychoanalytic criticism as the theoretical framework, the research shows the following findings. First, based on the structural analysis it seems that in this movie, Nelson Mc Cornmick delivers a message about unnatural obsession can cause negative ability until make an aggression to another people. Second, based on psychoanalytic analysis, Nelson wants to convey the psychological phenomena that is a type of personality that leads to sex and aggression Keywords: Sex and Aggression, Prom Night (2008), Psychoanalytic Criticism. Consultant II Consultant I Titis Setyabudi,S.S., M. Hum Drs. M. Thoyibi, M.S. NIK. 948 NIK. 410 Dean Drs. H. Sofyan Anif, M. Si. NIK 547 xviii